About Robert

I am a researcher and senior lecturer with over two decades of experience in Information Science and Digital Humanities. I explore the flow of information in natural and artificial systems, including the intersection of digital and human communication. I am particularly interested in interactions that lead to knowledge creation, looking at information acquisition, storage, encoding, decoding, analysis and dissemination processes across different systems and domains.

My work looks specifically at problem solving through data ontology and design theory, including Computational-, Systems-, and Design Thinking, and Human-, and Humanity-Centered Design applied in Human-Computer Interaction (HCI), Extended Reality (XR), Machine Learning (ML), and Artificial Intelligence (AI).

I specialise in the development of these advanced digital applications for research in Human Evolution and Archaeology, with particular focus on Rock Art, one of the oldest repositories of human memory and a testament to human interaction with the environment and other peoples. In 2012 I founded The Global Rock Art Database (RAD), the world’s first centralized platform for the collection, analysis and dissemination of global rock art information, which I led as Director and Head of Research and Development until 2024.

My works have been published in a wide range of prestigious technological and archaeological journals such as the Journal on Computing in Cultural Heritage, Journal of Archaeological Science and Advances in Archaeological Practice. My technological contributions have been listed by the CIPA Cultural Heritage Documentation Ontology Task Group, International Council on Monuments and Sites, for its Ontology and Web Technologies contributions to Cultural Heritage along with The British Museum’s ResearchSpace and Getty Conservation Institute’s Arches project. RAD further received notable mentions in Rock Art Research, as a valuable resource for education and research.

PRESS & PUBLICATION HIGHLIGHTS

[ The Rock Art Database ]

In 2012, I founded the global Rock Art Database (RAD), a non-for profit organisation and the world’s first international rock art eResearch platform. RAD is leading innovation in Data Ontology, Machine Learning, and Information Visualization taking a collaborative Citizen Science approach for rock art research. I am committed to using innovative digital technologies to enhance the preservation, study, and accessibility of cultural heritage data. But with new technologies come new responsibilities that require us to understand the problems and the potential of these applications that are re-shaping our understanding of our ecology and humanity.

Rock Art Ontology & Machine Learning
Rock Art Information Visualisation
Rock Art Citizen Science

Technology

As a technologist, I have been extremely privileged to contribute to research that investigates some of the oldest records of human memory, captured in rock art. With a background in Information Science and Engineering, I develop tools that explore our past, present and future through Human-Computer Interaction, Information Visualization, Extended Reality (including XR, VR, AR), Machine Learning, and Artificial Intelligence. My interdisciplinary approach bridges the gap between traditional archaeological research and modern technological advancements.

Design

Developing digital technologies, I do not just work with data and machines but I work with real people that are at the heart of any application, impacting their culture, their identity, their lives. Technology changes us, and we have to tread carefully. Design can change the world and meaningful design has to be at the core of every project considering not only Computational Thinking and Systems Thinking, but Design Thinking and Human- and Humanity Centered Design. I am especially passionate about projects that leverage the potential of technology for Social Impact Design, that make a positive change to issues that matter towards betterment of society and healthy planet.

Teaching


“The world of the future will be an ever more demanding struggle against the limitations of our intelligence, not a comfortable hammock in which we can lie down to be waited upon by our robot slaves.”

Norbert Wiener, 1964

Through my work in digital technologies and humanities, I have developed a teaching portfolio spanning from computer science and media technologies to communication studies, design and media theory. The advancement of AI seems to spark new discussions in these fields, as we seek to understand our place in the universe, striving for positive change, healthy planet and building resilient societies through empowered communities.

Books and Ideas that Changed My Life

What I am Currently Reading